I cut watercolour paper into 11x14 inches for each composition, glued old dressmaking patterns to the front with liquid matte medium, coated the back with primer (cheaper than gesso), and glued the fabric composition to the front (once everything was well dried) with gel matte medium. Copyright: All artwork/content protected under ©2007-2011 Lynne Ciacco
Wednesday, July 29, 2009
School Days Part II
I cut watercolour paper into 11x14 inches for each composition, glued old dressmaking patterns to the front with liquid matte medium, coated the back with primer (cheaper than gesso), and glued the fabric composition to the front (once everything was well dried) with gel matte medium. Sunday, July 26, 2009
Maxim of the The Week

Wednesday, July 22, 2009
School Days
Hoosier
Unmixed Doubles
*
Here's a mini-series of stitcheries and photo transfers I just finished. The photos were given to me by my neighbour, who was about to throw them out, not knowing who anyone was in the pictures. In my ongoing effort to clean out, declutter, and use up all the supplies and stashes of stuff in my studio, I put the pictures together with some fabric I had on hand. I find that the compositions are fine as they are but I am tempted to push the envelope and see where it leads me. Most anyone can stitch together themed fabric scraps and print out some photo transfers to produce a satisfying craft project, but how does one turn craft into art and make it a more personal expression? I feel a whole lot of collage and paint coming on!
On the other hand, maybe I should just matt them and frame them and leave well enough alone?
Sunday, July 19, 2009
Fortune Teller

This was the final piece I made for what has turned into my "Soul Maps" series. I think it may become the backside of my ongoing (presently stalled)
Maxim of the Week
Even at age 75, Ed still liked to practise the Human Pretzel routine that had made him moderately famous in his youth.
Maxim:
Use it or lose it.
Friday, July 17, 2009
The Stamp Whisperer
Here is the 2nd in what has suddenly turned into a Stamp Series. I had one stamp that I really liked of a Jack Bush painting so made up a little fabric piece to showcase it (see here). Then recently, while sifting through a pile of crap...er...art supplies on one of my desks, I came across this Year of the Rat stamp that I had kept for future use in something. So it looks like I'm on my way to making a series with Canadian stamps. Not just any old stamp, though. It has to "speak" to me (just call me "The Stamp Whisperer"). I know I unearthed an Anne of Green Gables one while looking for something else and she seemed pretty keen on becoming part of the series.
If you know me at all, you'll know that I can't just leave well enough alone once I've got a material piece finished. I simply must muck about with it in Photoshop. Here's the piece with dear Ratty cropped right out of existence. I think it would make a very nice blog banner.
And in case I've been whispering too softly for the damn thing to hear me, this is what happens when it gets yelled at...so to speak...in Photoshop: it gets turned right into wallpaper!
Tuesday, July 14, 2009
Studio Views


View to the side yard

I am lucky enough to have what was formerly a large kitchen as my studio. It's on the 2nd floor of our house, which was once made into a duplex, but we reconverted it to a single dwelling. The tall windows let in lots of light--sometimes too much...but the way summer's going, it's not that much of a problem. The one thing that's lacking in my studio is wall space. An artist needs a place to hang up her finished pieces to look at them from a distance, assess them, live with them for awhile. I do what I can with stacking things around the room and on top of each other and all over any available flat surface (I have 3 desks). The best solution would be to sell all my work!
Sunday, July 12, 2009
Maxim of the Week
Thursday, July 9, 2009
Back At It

Here's an assortment of some of the fabrications. I'm toying with the idea of cutting out a backing piece of this gorgeous silk for each fabric collage so that just a minimalist hint of a border will show around the outside edges. This, of course, means more finishing work (cutting the silk to the size of each collage and attaching them together with Wonder-Under...necessitating the use of that nasty device called the iron. I must admit I got very poor marks for my ironing skills in Grade 7 Home Ec class). Alack and alas! However, part of making art is figuring out how to present it (backing, matting, framing, etc.)

This is a rogue piece from the series. While each stitched collage is different from the next there are 2 or 3 that are a little more tentatively connected to the series as a whole. But hey, who's making up the rules around here anyway?
Now if you'll excuse me, I have a tall cold one waiting for me. Cheers!
Sunday, July 5, 2009
Good Fibrations

Maxim of the Week







